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The late 1920s to early 1930s saw little interest in stereoscopic pictures.
In Paris, Louis Lumiere shot footage with his stereoscopic camera in September 1933.
The following March he exhibited a remake of his 1895 short film L'Arrivée du Train, this time in anaglyphic 3D, at a meeting of the French Academy of Science.
In 1936, Leventhal and John Norling were hired based on their test footage to film MGM's Audioscopiks series.
Kelley then struck a deal with Samuel "Roxy" Rothafel to premiere the first in his series of "Plasticon" shorts entitled Movies of the Future at the Rivoli Theater in New York City .
Also in December 1922, Laurens Hammond (later inventor of the Hammond organ) premiered his Teleview system, which had been shown to the trade and press in October. itself got poor reviews), but Teleview was never seen again.
Unlike its predecessors, this short was shot with a studio-built camera rig.
It is unknown what film was run for audiences at this exhibition.
is a motion picture that enhances the illusion of depth perception, hence adding a third dimension.
The most common approach to the production of 3D films is derived from stereoscopic photography.
The short is notable for being one of the few live-action appearances of the Frankenstein Monster as conceived by Jack Pierce for Universal Studios outside of their company.
While many of these films were printed by color systems, none of them was actually in color, and the use of the color printing was only to achieve an anaglyph effect. Land conceived the idea of reducing glare by polarizing light.